By

Santiago Aguilar

Ocurrió a la luz del día. La censura y las versiones de El cebo

Abstract In full creative maturity, Ladislao Vajda began the production of a film conceived by playwright Friedrich Dürrenmatt. The transgressive nature of the project, promoted by German-speaking Switzerland, involved a delicate administrative process that led to giving Spanish nationality to the film. Amidst all these conflicts, Vajda turned a double... Read More