Fernando Ramos

Cinefilia entre la pasión, el análisis y el discurso desplazado.

Abstract Especially since the 1990s, a wide range of texts –from academic debates on postcinema/postmedia to journalistic articles mourning the ‘Decay of Cinema’– about cinephilian film culture has developed a nostalgic tone in their consideration of a past, combining historiographical reflections and autobiographical insights. The present essay analyses the main characteristics of cinephilian discourses since... Read More